Part 4 - Synth Aesthetics

Hello friends, welcome back. Last time, in A Dawless Perspective Part 3, I introduced concepts regarding how the limitations of our personal environments shape our musical output. This is especially interesting to us as dawless musicians as we are the ones who ultimately craft our musical environments, to a point anyway. The constraints in which dawless music happens are by our hand and our hands alone. And by that token, the environment we craft for our music is as much of the art as the music itself.

Today we will explore ways we can better understand the dawless musical environment, aka the rig.

As we make decisions for our rig, even small technical decisions will alter our musical output to some degree. The more decisions we make, the more we define our own system of musical limitations and... our sound.

Systems & Constraints

When it comes to dawless music, I personally refer to these limited musical environments as systems of constraints. I add ...